Reading to strangers: part IV

sydney-harbour-bridge-1930A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. One of the things I did the past two years was participate in public poetry readings. Part four of five tells of some experiences that influenced me and the poetry I read and write.

So now comes the rest of the telling of how I came to write poetry and read to strangers in public.

Poetry has three sides in my life. There is the side of my life where reading and writing poetry happens. There is also the shadow side where there is little or no sharing, save with close friends and a few relatives. Then there is the sharing in public to strangers.

I’ve tried to show in this five part series some of the influences on my life that have made me who I am and how I feel and how I relate to poetry.

Seeing this is a short version of a longer telling I must say that there is a difference between having life changing experiences and living by those changes. And there is the importance of a mentor. In college I had two but after that none and so I let life get in the way of reading and writing poetry. I had no one to point out that poetry was my first real love and loves cannot be set aside though they can be ignored. I went on reading and scribbling when I had a quiet moment but never set aside blocks of  time to sit and make writing happen. This is what happens when you do not have money or think about  the little money you do have which is not enough to afford the time you need to write. This is the struggle everyone knows.

A person is like a country with ambassadors and advisers and neighbors and competing interests. A poet is a bridge builder with words. The bridge is never quite complete and need not be because our words take the reader the rest of the way. We are incomplete beings but our words suggest completion.

When I would lounge and lull to write there was the intruding thought and a drum of distraction like some war machine on the horizon. In a low thunder it would murmur You’re not doing enough. Of course in time you understand you can never do enough and most often do too much and end up not writing at all. Some people know this sooner than others. It took me a while because that army over the hill was quite a threat. Everyone who works and does have an interest in writing seldom understand the idleness necessary for writing. They think a person who sits for a day or a week or months on end must be a looking for a free lunch when really they are not. What they are doing is making a way for writing to come and come and come until you are good at it and there is so much of it you can sell it and buy everyone lunch and dinner and even breakfast if you want. This is a way of sharing too but it must come after a lot of sitting and seeing the words come out and knowing what sparks are created when words commingle. Not journalism mind you but poetry and art and writing that results in a sea change. Emily Dickinson said I dwell in Possibility. That’s what writers do. We see what is possible. Most Americans understand this with material things but not with words. Some do but they are far and few.

Anyway America is a free country until you do not do what everyone else does. When you take the time to write everyone tries their best to change you or ignore you or chide you like a school boy bully. They do not want you to live in your own self completely as you must to write. In this way America is communistic and violent. No one can stand apart. No one would ever say this but if you ever are different than the rest you will come to know all the others do not like it except the people who like to share what it means to be different. America is learning yet not quite there yet letting people be transparent and leaving people alone inside themselves where they can live and share what it means to be alive.

To be alive means you can read before a room full of strangers. Once this was impossible. Now it is quite exceptional if you think about how long it took and how far someone has to travel before you see strangers as fellow travelers. Others are strangers only when there are no words between them. There must be words between people not competing in order to be sharing and poetry. Debates are arguments over an already dead carcass. Debates are word competitions to see winners and losers. This is a terrible way to pick a president or educate the young. Leaders who strive to win will create a world in which most people are losers. This is the world we have now. This is why poetry is so important. It shows another way.

In January I read on William Stafford’s Birthday at the Hugi-Lewis Gallery in Anchorage. Four others read too. There were a few who watched but did not read. Two shared anecdotes from William Stafford’s life. Two of us also shared poems of our own and another shared a letter Stafford wrote to her. A rich and sweet letter. He shared what share-able writing was like and how you practice your writing everyday.  Stafford said many times you must be as true as you can be to whatever is coming up from yourself and then the writing of worth has a chance to live and breath in the world. The letter showed Stafford’g genius and his love of helping other writers. Jim Hanlen a sweet man hosted the event. We talked before the event which was like talking to a brother you did not know you had. Lovely men like him are so rare. They are national treasures. I think there should be statues in every town square of a lovely man from the town’s past. This would be a reminder to little boys and young men of what men should aspire to be. Gentleness. Winsomeness. And truthfulness. All people aspire to this though it is easy to be distracted. There will always be enough people willing to be violent and busy and foolish. There is no need to encourage them. Those willing to work and live fully alive lives are the ones who change the world.

This then is how I came to share my words. I wrote in my day book the book that I write in every day.  Do you not think the words that come from you are the same unexplainable unfolding that stretched out the stars and galaxies. You must let them go so others may see new stars. Control is an abandoned well. Dry and lifeless. Jump from the falls, each droplet a star, an entire universe parting for you. 

I wrote other things like this and they always make the connection between the larger universe, the unfolding creator and the perceived smaller you which is in no way small and so much a part of everything. Your body is the universe to a cell. You are a cell to the universe. You have a task. You know you must open and close when you are ready.

Stars shine and cannot help sharing their light. We shine by sharing what we write. You can see the stars why can’t we see the stars that are ourselves and the stars that are everyone else. The answer is we decided and each has their reasons that what we have is not what others can value. Now it is true that many people do not listen. They are blunted or stunted or in such a hurry they cannot hear. This is not your concern as a poet or writer. From the very beginning you were made to make an offering. This is your destiny and from it comes forth the life that is in you. This is why anyone can and should read in public to strangers and after you read you will find friends. This is the end of the short telling of how I came to read to strangers in public.

Reading to strangers: part four of five

A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. One of the things I did the past two years was participate in public poetry readings. Part four of five tells of some experiences that influenced me and the poetry I read and write.

By high school nearly all sharing was eclipsed by posing. This would change in my junior year after the student walk out. Before this was an art teacher Mr. Teibolt who encouraged us to share and one English teacher who said I should write more in a way that made me think I could write. I do not remember her name. I remember the high cheek bones of her face her smoky alto voice and thick raven hair. She was so wise tender and kind. Her presence is still with me quite clear. Her name is a blank. Maybe it didn’t fit her. We meet people like that whose name does not fit them. If I gave her a name it would be either Diana or Sofia.

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The high school years before the big protest walk out were a time when most all of us had become mirrors of each other. We wished to be larger than what we saw in the mirror. All the while the child and the wild within was shrinking barely able to be heard. This was that way we were until the day we all walked out.
Students protesting the Vietnam War were shot by their own countrymen. We all saw it on the television evening news one night in May. The National Guard killed four in Ohio and two black students farther South. All shot for being who they were. The television pictures made us all know we could die so we all or most all of us got ready to die.
A few days later the word traveled in the hallways and soon we were all marching around the school. The principal had a bullhorn telling us we would be suspended. This we thought silly. We were beside ourselves by the killing and anyway what high school student suddenly alive with purpose and expression drawing strength from each other cared whether or not we  would be expelled from school. This was happening all over the country too. We were ready to take some risks even die now and being kept from school was no threat.
After school one of the janitors asked me what I was doing out there today. I said marching to stop the killing and bring my brother home from the war. He said something like you can’t fight city hall. I don’t want to fight them I only need convince them I said. He was a nice man who did not and could not understand what we were doing. He was a gentleman though and said well good luck to you then.
We learned a lot in those days. We learned about authority that day more than we learned during a whole lifetime at school. We learned the power of numbers and agreement too. We even found that some of the teachers were on our side. We came back the next day and I do not think one student was suspended. We grew that day and the days after and many of us went on to other protests later in Washington D.C.
I would tell more but this is the short version so I won’t tell about those times now.

Anyway our voices were now sometimes heard so some of us could begin to share all the things we never shared before about who we were and the world and its wars. This was another way of sharing. It might even be the most important kind of sharing at that time. It was clumsy and sometimes angry but it was sharing like we hadn’t before. It was about us not really all about us and that made it different than what we were doing prior to the shootings. It was in that tumultuous time we learned to live with uncertainty in the world and in our hearts. Yet this would take a long time for some of us to write about.

Poets were already writing about the movement to end the war and change policies supporting dictators around the world. Only much later would I discover Carolyn Forche’s poetry of witness.

College was a mixed bag. College classes were larger than high school. Vast lecture halls in enormous and new office buildings coupled with 10-story dormitories with buffet food made me feel sometimes like a steer in a cattle drive. We sharing among students and a few teachers but college was mostly the same as high school only more independent reading. I like reading on my own. New book and new ideas were everywhere. New music too. I identified with teachers who were slightly older than ourselves and the ones much older than ourselves really seem to care. We talked more than in high school about what was happening in the world not only in class but after in restaurants and bars and in their homes and apartments long into the night. This was the sharing in college.

Robert Bly Grand Valley State College 1975

Robert Bly Grand Valley State College 1975

We learn more about the Viet Nam War. The propellants of economics and politics driving the war. This was all very well but it wasn’t until I heard Robert Bly read poetry in Ann Arbor I begin to understand the war wasn’t only half a world away. Was not only in our street protests here and in Washington. The war was in our schools our institutions and even in ourselves.
He appeared in a colorful poncho and sombrero carrying books and papers. He paced the large room removing hat and cloak. He began by thanking everyone for attending then asked that all the recording devices be tuned off. There was a groan from the audience. No one wanted them turned off. This was at the height and power of television. This is wonderful you want everything recorded but some things can not be recorded. He eventually said I don’t want to become a small man in a little box. I remember when he said that a hush went over the audience. There was a sudden understanding. This was something amazing because the crowds in Ann Arbor were always verbal and hissing when they thought they were right about something and they always thought they were right about everything they thought. Everyone was for freedom and filming everything. This was what freedom meant to them. Today it is called transparency but transparency is another story entirely. When Bly said I don’t want to be a small man in a little box everyone understood. I never forgot that line. In that wonderful moment we understood technology was distortion because there is no heart or art in machines. We understood all that within that one line. It wan’t merely a sentence. This is an example of how powerful a line of poetry can be. I was hooked.

So all the cameras monitors went dark. This was a new kind of sharing. Close sharing. Communion without the church schedule. After some people said Bly was afraid that he didn’t want the CIA or FBI to know what he was saying. This was not that at all. In fact I am sure he would have loved to read his poetry to any government official. He read many Spanish and South American poems rich in living under the boots and guns of oppression. Bly and they would rather write and die then not write and live dead. I have been reading them all ever since. He read from his violent and beautiful poem The Teeth Mother Naked At Last. He danced around the audience while reading. He was never still. I never saw someone so animated while reading. He asked others to read poems. We heard their voices too. He encouraged us to hear our own voices when reading. That our own voices bring something to each poem. To each hearing. He was an unlimited spring of ideas.  He made us aware we all had voices and that it is the most beautiful thing to use. A poem is foremost a voice.

I think that night turned my heart forever toward poetry. I saw what great good power poems had. Amazing. Reading poetry is astonishing.

Reading to strangers: part III

A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. One of the things I did the past two years was participate in public poetry readings. Part three of five tells of some experiences that influenced me and the poetry I read and write.

There was sharing in Middle School where we read Dickens’ Great Expectations. This sharing was reading from your seat to the class. There was lots of giggling and body sounds and the teacher scolding and taking kids out of the class to sit in the hall or the principal’s office. This we all knew was trouble with the threat of getting the paddle with holes in it swung hard down on our bare butts but some preferred this to remaining in the class attempting to read something they could not read. Most of the kids in my class were poor readers. They did not read books on their own. And even for some of us who did read on our own Great Expectations was difficult. Dickens did not write like we spoke or anything we read. He was really of another country and another century. I was never taken into the hall. I read haltingly and fearfully and with some embarrassment. Not embarrassed in the way I was embarrassed listening to the tall tales boys told in the locker room or the school yard about girls I knew or what the boys did to their own bodies for pleasure. But embarrassed just the same because the reading was difficult and the interruptions frequent. Because of this I did not really learn the story Dickens had to tell until later much later.

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Most importantly by the end of junior high the 9th-grade I learned that fiction stories were truer then the stories told in the school yard. Most of the sharing in junior high between boys anyway  was boasting and shaming. It is good to have some embarrassment but not an overwhelming amount of shame otherwise you begin to retreat or tell tall tales that cover up the real and tend toward cruelty.

This was the reason for many ghastly scenes before and after school. There was lots of fighting after school. These attracted large crowds of boys and girls laughing and egging on the fighters. There was always blood on the faces and someone on the ground being punched and kicked before it was over. The crowd was like a school of fish opening and closing around the fighters as they moved. The crowd never touched the fighters as today. That would have been thought disrespecting the combatants. I have always thought it is interesting that the fighters never spoke or taunted one another before during or after a fight. This is not true of professional fighting where the taunting before is staged for the cameras and microphones. In fighting between two junior high boys I never saw this happen. There is only a few serious words to the point and the arrangement of where the fight will happen. It was all very logical and efficient. Scripted almost. So even the violence at this time had unwritten rules followed scrupulously. After the fighting came to a messy conclusion the crowd would be mostly quiet. The winner left first and most of the crowd would leave following him or her then only a few remained with the loser. Say a brother or sister or brave friend. A few others would stand in small groups talking amongst themselves. Many smoking. That is how junior high school fights happened at that time. There was little or no talking certainly very little sharing of any kind other than the blows to one another. A painful physical kind of sharing. After a week or two the two boys who fought would be seen talking to one another as best of friends.

Worse than fighting was the making fun of others who could not or would not fight. This ridicule seldom ever ended. Usually chubby boys or girls that wore homemade clothes were made fun of. There was a stocky tall girl with watery eyes that seemed not to focus. She was called Horse and I felt sorry for her and even though by this time I stopped going to church with my grandmother I did pray for her more than a few times.
Approaching school one day while still a block away I heard the sounds of a horse. Winning, braying and snorting. The sound was very crisp on this cold and clear winter day with the sun still low in the sky and skiffs of snow here and there. I began to think maybe someone brought a horse to school. I kind of wished it were true because I never saw a horse up close or touched a living one because we lived in city where their were only cars. Along with the horse sounds that day came the laughter of a crowd. The horse would bray and the crowd would laugh. Then a moment of silence and again the horse sound and the laughter. When I saw the crowd of kids in front of the school it looked like a fight crowd. Except fights never happened before school. This crowd moved with someone in the center.  When I was close enough to see I saw the girl called Horse. I could hear boys and girls close to her say do it again Horse. Do the horse. And she would oblige. She would gallop around a few times then rear back using her hands to claw at the sky and let go with the amazing sound of a horse as beautiful and real as any horse I have heard since. She did not mind this. She loved to make the horse come out of herself. It was the way she could share with them even though they made fun of her and called her retarded and dumb all the other times at school. So long as she made the horse sound they did not call her names only her nickname that she liked. They laughed but did not call her hateful names. This sharing was beautiful and tragic.
I do not remember her moving on to high school and no one ever talked about her or remembered her even though she had a beauty all her own. To this day I only partly understand how others made fun of her for being who she was or doing what she did so well and that she loved. I always think of her when I see or hear a horse.

Another kind of sharing very close to sharing poetry was singing in chorus. They are close cousins maybe sisters. I loved to sing. I was a tenor. Though I had a trouble staying on key. Mrs Hutty would help me by sitting me at the piano with her and singing in my ear. She helped us all learn to sing in front of strangers. We traveled to elementary schools and nursing homes and the Ford Rotunda in Dearborn before it burnt to the ground. We were embarrassed some singing in public in our white shirts and ties but leaving school early or all day was preferable to sitting still all day. We were not embarrassed to much singing Handel’s Hallelujah Chorus because there was too much to remember so thinking of being embarrassed was not possible while singing. Even when gave a concert in our own school and our friends squiggled and squirmed and giggled in the audience we rose above it all. Mrs. Hutty instilled discipline. She demanded we smile and always look over the audience’s heads to the wall at the back of the room. This and remembering our part in the Hallelujah Chorus got us through all those concerts.

Lawrence Childrens Choir

Lawrence Childrens Choir

Sometimes in the hallways some boys who now would be labeled bullies but then were just boys called some of the tenor and bass boys in the choir sissies. Fortunately no one ever called me that to my face. I don’t know why. I was never one to be challenge for some reason. Perhaps because I was naturally athletic. I never boasted about who I was or who I could pound. I knew this was pride. I knew pride was the biggest sin. My Mum taught me that. So boasting or even having the attitude of boasting was entirely impossible for me.

This was how we shared in junior high school and why some of us began not to share in junior high school. We were most of us Pips in the making. And it would be a long time before we could again meet our own authentic selves or share something vulnerable from ourselves. What begins in fear ends in secrecy. When you live a while with an altered image of yourself thinking it is safer to share the image than who you really are you become painfully introverted. You begin to coverup and hide everything about yourself even though you are as most people are quite amazing in your thinking and feeling. Some people do this hiding so long that they convince themselves they’re public made up image of themselves is the bedrock of who they are. They no longer live in their own true place inside themselves but rather live from the self-imposed image of themselves that sells well with the ridicule happy public.

This is why poetry is so important. It deflates the false. It shows us life inside and out. It shows us the bumps and bruises and scars that can obscure the sweet place that is in us all. When we see that place and remember it is inside of us all just waiting there patiently to be reclaimed then we want to reclaim it and live from there. When we read and write from that place we can read to strangers in public because there is so much to say about simply being human and living the crazy adventure that is life. And speaking from that place often brings insight and some joy to others.

Reading to strangers: part II

A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. One of the things I did was participate in a public poetry reading.

This post continues the telling of how I came to read to strangers in public. This is what it was like to grow up in the 1960’s and lose the natural desire to share. It happens in every generation. We all pass from innocence to experience. When young we all try so disparately to fit. Often we distort our internal shape doing so. This then is part two of four or what looks like five parts now.

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There was sharing I did when I was a boy in church. For many years my grandmother took my brother and my cousin and me to church. Our parents did not go to church but grandmother did every Saturday. She was not Jewish she was Seventh-Day Adventist like the original Christians she said. That is why we did church on Saturday which her church called the Sabbath. She said the Bible never said to stop worshipping on the Sabbath only man said that and we don’t obey any man only God. She was very much like a Jewish grandmother. She loved us fiercely and knew what was right for everyone. She did not spare her opinions on us children. She also made us wash ourselves before bed and in the morning. After washing before bed we would say our prayers kneeling at the bedside. Grandma who we called Mum kneeled beside us and helped us to remember all the people who needed our prayers. We said our prayers without complaint because we could stay up that much longer and liked listening to Grandma pray because she whispered and spoke quickly and never seemed to forget anyone who needed praying for. We resisted being washed but resistance was futile.

It was futile to resist learning our scripture verses too. Mum always asked if we learned our verses. Sometimes she would scold our parents outside when they dropped us off before they drove away if we hadn’t learned our weekly verses. She would have us recite them before bedtime prayers and in the morning before breakfast and on the way to church. Then we would read them before all the other children in Sabbath School. Each quarter we would recite not just read a good chunk of an entire chapter usually from the Old Testament. My favorite story was Balaam and the Donkey. A talking donkey was bound to be my favorite story. I liked that the donkey saw the Angel of the Lord first. Intuitively I knew animals saw deeply into things. More deeply than the adults I knew. And this it still true.

This sharing of verses was a kind of sharing and I am glad all those verses are wandering around inside of me now. This sharing was a little scary as all sharing is but as yet my father did not leave so it was possible to do it even though I was somewhat afraid because I had as yet no fear of abandonment and still lived with the hope of things not going inevitably sour. Reading them from a raised platform with a podium in front of everyone I was nervous and had that normal bit of fear of not remembering though our kind teachers never scolded us when we stumbled over a word or got them backwards or forgot some of the words altogether. When we stumbled our Sabbath School teacher who sat behind us would whisper a word to help us along. This was so much like the way we learned that the Lord always at our side to help us.

This was sharing too but it felt different than what sharing poems feels like now. There is little freedom in sharing what you are told you must share rather than sharing what you discovered in the freedom of yourself. If you are told to share and even if you are offered money it is not sharing not really sharing it is having to share and the life has gone well out of it.

Reading to strangers in public: part one of four

A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. One of the things I did was participate in a public poetry reading. This is the first of four parts of that story.

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This is the beginning of the telling of how I came to read poetry to strangers. It is a telling of how I came one day to sit and another day to stand in front of strangers and for the first time read my own poetry. It was a long journey. This is the short version of that journey.

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I suppose and can only guess that it began when I was a child. Children are naturally show boats. They create a drawing or write a poem and they want to share it. To this day whenever my daughter writes a song she has me read it or sings it to me. No delay. My son used to share his drawings too but now he only shares by talking. He loves to talk. This is now mostly how he shares. I am sure I did this too. I began sharing the things I made and eventually shared only talking and sometimes only a little talking at that.

My mother was a talker too. Whenever I visited her back in Michigan she would give me something I created that she hung on to all through the years. A blue plaster of Paris ashtray. A charcoal drawing of a house set in mountains with red windows and black windblown smoke from the chimney. A paper mache elephant. Even cards I wrote to her that meant the love she gave came back like a cute boomerang. This was important to her as it is important to all mothers. So it is natural to express ourselves in all kinds of ways. The question is why do we stop?

For a long time almost a lifetime I did not know at any time why I stopped. Now I see a little more into this. I did not cease to share entirely but essentially. Oh I gave Christmas gifts and birthday cards and these are fine things to do and a kind of sharing but not sharing of the vulnerable part inside us. This is why it was difficult to share with others . There was stage fright of course though not enough to stop me or most anyone. This is the natural fear of rejection anyone might have and get over. Yet the big freeze came because I also have a larger and looming and quite irrational fear of abandonment. This larger fear was constant and with me so long it seemed natural. Anything lived with long enough seems natural. Even something looming and not luminous. My father left my life when I was eleven. Just like that he was gone. He was not dead but gone just the same. As all boys at any age a boy of eleven is in great need of his father. I did not know at that time why my father left and my mother would not say. So there was not a lot of talking about that. I think this abandonment planted a rather large fear in me and may account for most of my unwillingness to share created things. It made all hope hard. If everything you admire and love can be taken away not just taken away but taken away for no reason then hope is hard to have and to do. Sharing then becomes too daring for someone like this.

It took decades before I could again share. I knew it is natural not seemingly natural and that sharing is caring and makes everyone who can share feel together and good. The feeling of this sharing stays with you a long time after too. Maybe always. Whenever you remember this sharing it is like running fingers over a scar long after a cut and smiling. You know the scar is still there but the pain whatever is left of it can no longer hurt or keep you from hope. Even though there is still some pain and some fear even today speaking in public I can speak to the fear and cause it to shrink away. This way I don’t stay forever locked up inside myself. Poems, mine and others, helped me see this. This is why poetry is so valuable to me and anyone if they discover it. Poems cut through pain with the clever living that transforms experience. Poems are scars that speak. People who love each other share the story of their scars. There is comfort and closeness in reading or singing poems together. Illumination too. And hope. All this and even more are present when people read poetry together. Even when they are strangers.

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William Stafford’s poem “Scars” confirms the inevitability of wounds in life, and some ‘sorrows’ may be unreachable even by very fine church choirs. Find it here.

 

Sharing Poetry Is Caring

A while back, poet J.lynn Sheridan asked on her blog, Writing On The Sun, if poets did anything positive with our poetry in the past year. My knee jerk response was sure, of course. It kept me off the streets at night. I really mean this. Among other things, it keeps me from becoming a television boob, or taking up residence at the corner watering hole. Personally, both reading and writing poetry keeps me mentally agile, inquisitive, and gives me a focal point from which to see the world.

What else? What positives came out of my poetry last year?. Publicly, I’ve informally shared poems. I’ll reflected on poetry and words in general on this blog, passed along a few works in progress on my poetry blog, Fresh Bean Sprouts, and sent poems out to other poets and friends. I have not yet submitted a poem in a literary journal, something I plan doing this year. Until now I’ve never felt the necessity to submit poems. I am protective of my fragile inner space. I tremble at the idea of while composing I would succumb to a nagging whisper of a thought that a line or stanza might be changed to a certain journal’s liking. For me the greater challenge is not publishing but writing well. If someone might one day think a poem of mine is publishable that would be a bonus.

The question remains how can I know if I created anything positive? I recall a few of the bright days with others. One example occurred a few weeks ago. I read a short poem to my wife and my son. I had written a epigrammatic poem about our Pekinese’s regal manner. My wife smiled, said, “That’s nice. I like it.” My 17-year-old son, who prides himself on picking apart any idea, took issue with the poem’s claim that our dog had “views.” While the poem’s first reviews were mixed, the reading did result in a discussion of loyalty, poetic conceit, and freedom, which I consider a victory. The positive here was that my little creation got others, who do not normally read poetry, into a closer reading. They were confronted with a new creation that by its nature set off thoughts and feelings they would not have had otherwise. In its own way, this was a positive poetic event.

I can think of other positives. I wrote a short poem to a poet friend on Facebook in response to an artistic photo she posted. I was intrigued by the photo and inspired. She was tickled I wrote it and I think it served as validation for her burgeoning artistic skill with the camera. I write short poems on postcards and send them out via the Postcrossing Project, such as this one.

Today these few words
celebrate you and I
in a kind, kind of, embrace
half a world away.

I count these and others as positive points on my poetry scoreboard.

I also think of other’s poetry that I pass along. I do this all the time, sending poems to friends, family and acquaintances. It always gets a response, usually gratitude that I made the connection. All of us are astonished when we read another’s words that capture our thoughts or emotions so well, or lead us to new ways of seeing the world.

Returning to the purely personal, I can recount another positive. Every time I discover I cannot add (or subtract) anything to one of my poems, I make a hard copy and place it in my ‘ready for submission’ book. I know that I have created something I cannot improve on. This may take days, weeks, month, even years, but I know that I have put into it everything that I am. This gives me a sense of accomplishment, of triumph. Even if the poem should never be published until many years from now, even if panned by future critics, or even savored by only a few, either way I’m positive I’ve done all I can.

You can find my Pekinese poem here.

Next post: reading poetry to strangers in public.

Some questions from ‘Writing On The Sun’

Fellow blogger and poet, J.lynn Sheridan, recently wondered if poets make goals.

I know she knows the answer is: Yes, yes we do. Even though we might, for the sake of our sanity, hold these goals loosely in our hands the same way we hold form loosely when composing poetry, so that both serve, and neither one turns us into their slaves. We don’t want an established form or a niggling question to restrict us when the creative juices pour onto the page. (More on juicing and revision in future posts.)

I’m delighted J.lynn has provoked me and her readers into thinking about the ways we challenge and develop our art. (You can find her blog, and questions, here.) She made an extensive list of basic questions that challenge us. Any question is food for the hungry dogs of poetry but the self made poet sometimes rejects them as unbefitting a “poets” life. Yet, if the cocksure poet sitting at a trendy cafe, sipping latte, can remove their tilted cap and don something other than black turtlenecks, they may have a chance to use such questions as a way to prod and cajole themselves toward generating interesting and significant art. Assuming you are not a vegetable, several of these questions should spur you on to more thoughtfulness in our writing life. Thank you J.lynn for bringing some tough love from your bright sun.

Java Monkey cafe in Atlanta

Scanning J.lynn’s questions I realized three things right away. One, that considering any one of these could burn up a fair amount wood inside my cranium, and two, I could use a reality check, and three, the questions could be used as prompts for blog posts. Seeing that I neglected my blog for nearly a year now, I decided to burn a few sticks of woody thought on, say, one of her questions each month. It would be a fine way of inquiring, expressing, and sharing the current shape of my writing life.

Next post: Can anything good come from looking in the rear view mirror?